As for a director, my pick is Kelly Fremon Craig. Marvel and Sony tend to keep the same writers around, so it seems likely they’ll return to write the next Spider-Man installments. Meanwhile, screenwriters Chris McKenna and Erik Sommers, who wrote every entry of the Home trilogy, have expressed interest in making more Spider-Man movies. No offense to Jon Watts, who’s great, but he’s already moving on from Spider-Man, though he won’t be straying very far as he’s confirmed for Fantastic Four. Welcome dear nerds, and nerdlings, to THE GUTTER, a weekly exploration of the concepts, criticisms, and curiosities that live between the panels of comic books and their adaptations. With all of that in mind, I’ve got some ideas about where we might see Spider-Man’s cinematic journey go from here.

Should another trilogy manifest (which of course it will!) the films will likely take full advantage of that street-level NYC perspective while heading in a more mature direction, as Tom Holland hinted earlier this year. No Way Home gets us back to the broke, lonely, friendly neighborhood Spider-Man we know and love. Going forward, Peter Parker will have to rebuild himself - and Spider-Man - without the assistance from Stark Tech or any other Avengers. That means his friendships with his classmates and relationships with the Avengers have been erased from the collective consciousness of this specific universe. Of course, this clean slate comes with a cost.ĭoctor Strange’s final spell makes the world not only forget Peter Parker is Spider-Man but Peter Parker altogether. Following the sacrifice of Aunt May (Marisa Tomei) so that Spider-Man could learn his greatest lesson - “With greater power, there must also come great responsibility” - Peter Parker (Tom Holland) is given a clean slate. The ending of No Way Home has me more excited than ever to see what’s next for our favorite wall-crawling hero. Warning: Spoilers ahead for Spider-Man: No Way Home.

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